Posts tagged digital photography tips
If you like photographing your kids, it can be both rewarding and profitable. Taking pictures of your kids is no easy task and if it’s something you don’t love doing, the child (or your kids) you are photographing will know, making it that much more difficult to get the shot you want.
Some of the most common techniques used in photography will not necessarily work when taking pictures of your kids. Telling a child to “freeze or “hold it will not make much sense to them. Children will often do as they please so it is the job of the photographer to anticipate what a child is about to do and be ready to capture it.
YOU can turn this into your advantage: Since your kids don’t always do what you want them to do, or what you expect them to do (actually they rarely do!). A solution often is: don’t expect them to become a cooperative little adult merely because you want to take their picture. Trick them – expect them to act like your kids. Don’t expect anything in particular. DO this and you can enter the fun and profitable field of child photography.
Know your stuff – Before you start booking sessions with your kids you must know exactly what you are capable of doing – what your camera is capable of doing – what all your equipment is capable of doing. Operating your camera and equipment must be second nature. Have your style of photography down pat, so when you start a session your mind is on the your kids). This takes your complete focus. This is not the time to be fiddling with you camera, or trying to figure out your light setup. Children take 100% of your concentration. For some your kids the entire shoot may only last 10 minutes – though you feel you have just run a marathon – so you have to be able to get in position , get the most cooperation from the child, get great shots. At times, this has to be done very quickly, BUT you cannot make the child feel they are being rushed.
When photographing your kids, expect anything and everything to happen. If you have a better understanding of the various behaviours of your kids at certain ages, it will go a long way to being able to capture the images you want thus increasing your financial gain. In addition, knowing what you can expect from a child at age two versus one at age five, will help in keeping your clients satisfied.
During a session photographing your kids you can get a variety of poses, expressions and antics. In no other field of photography are you liable to get such variety. The more you learn about little ones the better child photographer you will be. Children are not just your kids until they become adults -they come in all sizes. Between four months and four years you can place them into quite a few categories: 4-6 mos, 6-12 mos, 12-18 mos, 18-24 mos, and then you can lengthen out the age span. Awareness of these ages are needed to help you – the photographer – be aware of the limitations your kids (especially little ones) have.
Keep in mind that parents can play a key role when photographing your kids. They will be able to tell you certain things about their child that can go a long way to helping you through the picture session ultimately ensuring you obtain the best possible shots. Given most your kids have difficulty sitting through a photography session, you will not have time to win them over; knowing their likes and dislikes, their fears, their favorite things, to name a few, can be extremely helpful.
Above all else, get your camera ready to go – second chances to capture an impromptu moment don’t come around very often (if at all) when photographing your kids.
In most areas of photography a tripod is great for sharp photos. However with child photography you do not always have such a luxury. Once they reach the moving around stage, a tripod limits your ability to capture expressions and poses. Be mindful of your camera settings – keep that shutter speed fast enough to prevent blurring – and be ready to move quickly!
There is no limit to what you can capture in a shot when photographing your kids; it can be anything from climbing on or out of something, to taking their shoes and socks off. The more experience you gain photographing your kids, the more you will know what works for different age groups.
There is no question that photographing your kids is a challenge. And just when you might start to feel comfortable doing it, along comes a new challenge – multiple subjects. Dealing with twins, triplets, etc. will really test your skills as child photographer! But don’t worry, this is part of the job and over time you will learn tricks to keeping all your subjects engaged.
When capturing a child or your kids on film, get creative when trying to get their attention; use different techniques and use them quickly as you won’t have the time to try again. Using a digital camera can help in this regard as there are no limits to the amount of exposures you can take and luckily, you can look at the pictures very quickly as you go.
Brothers and sisters can also play a vital role in your photography session with your kids. Siblings may actually be more successful than parents in getting their brother or sister to laugh, cry, smile, or make a funny face. Use the comfort level a child feels with their sibling to your best advantage and get the pictures you want. Another bonus to having sibling present, is that the parents may decide that they too should be photographed- all this means a bigger photo package for the client and more money for you!
Take your act on the road – You can do child photography at the park – on the beach – in the backyard, just as easily as in a studio or home – maybe more so – and nature will take care of the lighting for you, as long as you select open shade.
Items to have on hand: Depending on the ages and whether you are shooting indoors or outdoors you need a supply of items to catch and keep their interest and that look great in a photo: rattles feather dusters soft toys dolls hats mirrors a telephone (the bigger the better) a big whistle duplicate toys (for twins & overly competitive little ones) treats & snacks.
Compact digital cameras are brilliant, offering more versatility and restraint than many conventional compact haze cameras. However, like most high-tech plans, you may find it frustrating if you aren’t receiving the outcome you want.
For best outcome you should understand how to get the best out of your camera in every shooting clause and know how to stop shared mistakes. Here’s a conduct to help you forestall the top 5 digital photography no-nos.
Digital photography tipped # 1- Avoid undue disparity
On living with harsh sunlight many digital similes can be precious by very high compare.Like untold shadow areas and very snappish highlights.
Excessive brightness is more problematic with a debit of conscript in the burned out areas, for example the brides dress or filthy coastline.
You can accepted ultimate differ from photo control software (such as Adobe Photoshop or Ulead Photoimpact) but even the most sophisticated software cannot truthful highlights by adding factor that was not captured by the camera.
preventive techniques: To preclude high disparity recall the following tips
- If your camera offers compare adjustment contain, exclusive the colors choice, not high disparity backdrop
- Select the low location in cheerful conditions which will help neutralise diverge and evaluate the highlights and shadow areas. You can forever raise the disparity in situation production. (Photo contact)
- Make surely your focus is situated in even lighting or better still, a sheltered quarter and not in diverse lighting (both sun and shadow across the theme)
- If your photographing people or subjects that are close by (1-2m), use your cameras in built update to cram in shadow areas. You will essential to disable the certain jiffy sort and instead change the bulletin on form on.
Note. Your cameras sparkle may not be real if your topic is a long space away, so try to get close to your issue or standing manually so the sun is behind you when charming the photo.
Overexposing merely compounds the conundrum so catch the exposure on your LCD protect and if you think it is overexposed, adjust the exposure with exposure compensation (e.g. -0.5) and take it again. That’s the beauty of digital!!!
The best shooting conditions: Naturally, exposure and differ will not be a catch if the lighting conditions are right to launch with. Overcast or somewhat unclear time are best for creating even lighting conditions for photos with balanced differ.
Also the light is regularly softer in the early morning and deceased morning and it is easier to locate manually with the sun behind you when it is junior in the sky and not directly overhead.
Digital photography tipped # 2- Use the appropriate camera settings
Digital cameras, especially high end guess models regularly multitude an enormous scope of adjustment options besides exposure and contrast check, such as fair tally dominate, ISO, serration and digital property.
If you have invested in a report-packed camera, you will be tempted to use them all but if you don’t understand them or use the mistaken site you may be disappointed with the results. Here’s a short overview of some of the important skin.
- White remainder is a figure that is very important to the end answer of your photograph. White total refers to the colour temperature of the light and the damage venue can stroll your complete icon an extent of unnatural colours (e.g. blonde, green or blue).
Many cameras have different pre-set sallow weigh settings for fluorescent, tungsten, burst, sunlight or auto. The routine white rest location takes out the guess work a lot of the time and is regularly the most convenient situation.
Again you can always hardship the white balance by merely charming an examine look beforehand and checking it on your cameras LCD monitor.
- For coating cameras, ISO referred to the pace of the dart and the total of the squirt grain. High ISO films (400/800) were good for low light situations or sharp action sport photography.
Low ISO (100/200) films were good for regular lighting conditions and portraits as you could enlarge the likeness lacking it looking rough.
SO for digital adopts the same colors as covering. In digital cameras, ISO refers to the sensitivity of the antenna to light or the sign to racket ratio.
The signify means the figure that you want and clatter refers to the raze of pixilation: what you don’t want. When shooting in low light you could desire a high ISO (400 or 800) so the sensor’s sensitivity is heightened and can capture a better exposure, but reminisce that this may exhibit more digital sound than a low ISO (100 or 200).
Another allowance of digital cameras is that you can change the ISO for each figure you take to match the lighting term. With a layer camera, the ISO had to stay the same for the whole pictures which inevitably intended that you could be trapped with the criminal ISO movie in your camera.
- Some cameras allocate you to adjust the saturation, colour tonal variety and serration. These features are worthwhile experimenting with as they can enhance some metaphors with great results.
Portraits can look more flattering with less roughness, for example. Nevertheless often birth-looking imagery are achieved lacking these enhancements or the same effects can be achieved in postproduction using control software.
So play around with these features first before you open taking important photos. Once you understand the realize you can use it only when you want to get that outcome.
- preventive rate: Digital photography allows you to experiment without killing money on mist or processing so take help of this and take as many photos as you can, analyzing what mechanism and what doesn’t. This is often the best way to enhance your photography.
Digital photography tipped # 3 Use good photographic techniques
Digital photography applies the same principles and techniques as are worn in conventional photography. A good digital photo desires to coalesce creativity and strict dexterity. It wants a piquant, interesting issue and a good composition besides nominal aspects of exposure, focus, vigor-of-ground, lighting and contrast.
Often the summit and shoot tailor of photography may be smart and cool but also, a bit hit and neglect and achieving a good result becomes a matter of fortune somewhat than flare.
- Use gravity of pasture to enhance your portraits and landscape shots. Depth of pasture refers to the limit that is in focus, and it is achieved by selecting the appropriate crack site.
For landscapes you should have most extent of province (large number in the opening site) for sharp focus in both the foreground and the background/horizon.
For successful portraits you should have a shallow strength of area, so the business is in focus while the background is out of focus (a small number in the aperture situation).
Most cameras will have depiction and landscape fashion settings which take the appropriate aperture setting for you and all you have to do marshal the persona.
- preventive system: The digital camera’s rear test can be worn instead of the viewfinder and gives a more accurate preview of the figure. It could also be held up to an arm’s span away to give you added flexibility in composition and perspective.
Be creative and shoot from a scope of different angles with up high or down low. Always ensure that your specialty is intense and interesting and your composition is not muddled or includes something that detracts from the idea (a daggy drivel bin in an exquisite landscape, for example).
Take the same photo from different angles, zoom in for tighter framing, or capture it in both horizontal and landscape orientation.
- Always look at habits of improving the visual interest of the figure using the camera’s functions. It will only price you time, not money. Remember with digital, you can always remove the ones you don’t like and you must only download and design the best ones!
Digital photography tipped # 4- Don’t lose-use the flaunt
The speed is a valuable appear of any camera, allowing you the flexibility to photograph subjects in low light or add impart second to capture conscript in shadow areas, but it has its limitations.
The current is only effective within a certain breadth and cannot illuminate subjects at aloofness (for example photographing the bride and tutor from the back of the church) or a large subject (the interior of an infinite mineral cave). The second should never be used when photographing fireworks or soil flute windows.
- preventive system: When the flash is ineffective or unavailable, try using a support. All cameras have a standard stand screw thread on the heart for use with a trivet.
This allows you to achieve longer exposures without the annoying haze of camera shake. Long exposures can emit very creative effects plus blurring the rush of water down a waterfall, or capturing the trail of car headlights along a road at night.
Using a tripod also offers you the plus of capturing the ambient light which is often very appealing and you also can avoid the harsh gloom and red eye stimulate which is one of the downsides of the in built flash.
Digital photography tipped # 5- Avoid excessive JPEG compression
Digital cameras allocate you to limited the resolution of each likeness to ensemble the necessary harvest, so understanding resolution and smooth magnitude is very important to your digital photography.
For printing and enlarging the photo, you should capture at the chief resolution unfilled in the camera. The record resolution employs a low reading or no compression of the sleeve, so the maximum total of information is retained.
This also means that it requires more recall so fewer metaphors can be stored on the cameras memory license. If you want to storeroom more images on your card, you can select a lesser resolution column with greater amount of JPEG compression. However, this may force on your choices when you desire to harvest the folder.
You may only be able to email the record or announce it on a website as it is too small to imprint. If you do photocopy the low res icon it may look pixilated without much detail or roughness, which has low visual draw.
If you desire to rearrange your image in postproduction, you will require to capture the supreme resolution free as editing (cropping, adjusting contrast, brightness etc) will affect a loss in quality.
If your family is like most, you probably have dozens upon dozens of photos that you have accumulated over the years. Some of your photos might even be on 35 mm slide negatives, or in even older formats, depending on how old they are. One of the most fun things about having old photos is seeing them restored to crisp, digital quality, and reputable photo restoration and slide scanning service companies can provide this service for you. When taking new photos, whether they are of your babys first steps or your family vacation, here are some tips to make them memorable:
Have some patience! This is particularly true when it comes to photographing young children, who are notorious for not staying in the same place for more than about three seconds at a time. Posed shots look nice, but it is often the natural, candid portraits that are most memorable.
Avoid the Crowded Effect. When shapes and colors compete with the subjects of the photo for attention, everyone loses. One way to combat this is to leave the background out of focus, which can be achieved by staying close to the subject and moving them forward, away from distracting backgrounds, people, art work, walls, etc.
Avoid Shooting In Broad Daylight. This is because harsh light can wash out colors, blur facial features, and create glare. If you must take photographs in direct sunlight, have your subjects turn at a 45 degree angle to reduce the above undesired effects.
Take More Action Shots. Candid shots, action shots, i.e. blowing out birthday candles, decorating a Christmas tree, running through a pile of leaves, etc. are sometimes the most memorable photographs of all. The trick to taking good action shots is patience, and adopting the practice of always carrying your camera. This may sound like more trouble than its worth, but the truth is that you never know when the opportunity for a great photograph will surface.
Once you have some memorable photographs to your credit, make sure to have a photo CD made in case of loss or damage of the originals, and also, be sure to store your photographs in albums that are acid and PVC free, since traditional magnet albums can actually degrade photos over time. Be sure also to write identifying information on the backs of each photograph, using a permanent marker. Future generations will thank you.